Wheelchair Rugby.
Anyone got their entries at the ready?
Anyone got their entries at the ready?
The title sequence to It's a Mad, Mad, Mad, Mad World also designed and produced by Saul Bass. This is just another great example of Bass's work. Simple and understated his work was never egotistical. Just great functional design which achieves exactly what it sets out to do; portray the mood of the film, and provide a platform for the film titles to be displayed upon in an interesting and entertaining way.
To see more on Saul Bass, watch Bass on titles, a selection of title sequences created by the great designer. The documentary also offers an insight into design at the time and into Saul Bass as a designer on the front line of film from the 1950s onwards.
Saul Bass: Bio
"Saul Bass (May 8, 1920—April 25, 1996) was an American graphic designer and Academy Award-winning filmmaker, but he is best known for his design on animated motion picture title sequences.
During his 40-year career he worked for some of Hollywood's greatest filmmakers, including most notably Alfred Hitchcock, Otto Preminger, Stanley Kubrick and Martin Scorsese. Amongst his most famous title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's The Man with the Golden Arm, the text racing up and down what eventually becomes a high-angle shot of the United Nations building in Alfred Hitchcock's North by Northwest, and the disjointed text that raced together and was pulled apart for Psycho.
Saul Bass designed the 6th AT&T Bell System logo, that at one point achieved a 93 percent recognition rate in the United States. He also designed the AT&T "globe" logo for AT&T after the break up of the Bell System. Bass also designed Continental Airlines' 1968 "jetstream" logo, which became the most recognized airline industry logo of the 1970s." Source: Wikipedia.
Another one in the bag for Honda!
A little story all about doers. But what exactly is a doer? Well, doers do things. Things to move us forward, to make stuff better. We started off small just thinking of ideas, little “dos”. What if we plant trees around our factories, help the air stay a bit cleaner? Perhaps introduce water based paint, create a solve a car, the first hybrid cars. Well how about a car that only emits water? Little steps in the right direction. Then it made us think, “What if we were all doers learning as we go, doing things that can make a difference, like not revving our engines when we don’t need to. Driving a bit slower in traffic jams instead of stop starting. Or keeping our tires properly inflated to save fuel. And emptying out all the stuff we don’t need to carry around. Wouldn’t that be worthwhile? So let’s go do, keep doing, and do some more. Start a to-do list. Because there a million and one to-dos still to be done.
For more information on Geoff McFetridge check out this interview - kinda interesting. Especially the birch tree revelation. I did not know that the root systems link up! nice.
Also look up the King of Mountain site for a slightly more 'official' take.
And this interview by the Coudal Partners is really worth looking at >>>>
Other exciting events coming up are:"In her remarkable pavilion at the 2007 Venice Biennale, German sculptor Isa Genzken immersed visitors in a series of environments on the theme of ‘Oil’. Like a three dimensional collage the pavilion presented a poetic culmination of the major themes in her work: the psychedelic qualities of industrial materials, architectural form, the loss of the natural world, the properties of colour, and the energy and violence of western culture.
This is the first retrospective of a major European artist whose fusion of photography, paint, architecture and found objects into the realm of sculpture has influenced generations of younger artists. The show commences with early floor works from the 1970s and continues with a sequence of windows, rooms and buildings cast from plaster and concrete in the 1980s. Living and working in Germany and in New York, Genzken’s column structures of the 1990s draw on the vertiginous, reflective forms of Manhattan skyscrapers, adapted in 2000 into proposals for improvements to the architecture of Berlin.
The exhibition also features elements from more recent installations such as Oil, 2007 and Ground Zero, 2008. They are created with toys, souvenirs, furniture, building materials — the stuff of consumer culture, arranged in associative scenarios that are in turn funny, poetic and disturbing."